STOCHASTIC ITERATION
The work "Les grandes formes qui dansent" created by Marcelle Ferron translates the movement in time and this, frozen in glass. From any articulated object, it is possible to decompose its movement in order to create surfaces resulting from their displacement in time and space. By repeating these, a spatiality is expressed. The intervention cannot be a simple slab, the frozen movement is not clear, a blur, a gray area is inserted above the highway. Is it an art installation, a multimedia project, an architecture in motion? Who knows? Transparency is privileged here, because it is conducive to multiple relationships in the city, as much vertical, as horizontal or transversal. The emptiness of the highway must therefore be filled only partially, by implanting a filter conducive to a dialogue.
This deployment above the fault overflows in order to connect to the various points of interest. The decomposition and repetition of the movement of an object thus produces a stochastic resultant. We therefore propose a general stochastic iteration theorem to solve the problem caused by the highway. We use it to solve the equation RH - S = 0, where S is a vector of RL the known object, and where R is a L x L matrix, understood as an infinite sequence of random matrices Ri , the motion, of mean value R. This theorem allows in particular to design a self-adaptive filter of unknown form, in a location with unknown correlations. In our case S is the site (consisting of the highway, the Champ-de-Mars and the built environment) and L is the articulated object. The correlation of S and L generates an improbable sequence of random and dynamic interventions solving the problem of location and articulation of the intervention.
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9 scanned / 6 viewable
- Presentation Panel
- Presentation Panel
- Plan
- Section
- Photomontage
- Photomontage
