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227 competitions documented	466 competitions listed
6 009 projects	60 929 documents

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Competitor

Quadrangle + aLLDesign + Janet Rosenberg

Finalist

Jack Layton Ferry Terminal and Harbour Square Park / Gare maritime Jack Layton et parc Harbour Square

Presentation Panel

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Presentation Panel

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Presentation Panel

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Perspective

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Perspective

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Perspective

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Perspective

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Perspective

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Perspective

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Site Plan

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Plan

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Plan

Ferry Terminal and Service Building - Ground Plane

Plan

Pool and Terrace

Plan

Ferry Terminal and Service Building - Second Level Café

Plan

Cafe Mezzanine - Option 1

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Office Mezzanine - Option 2

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Open Terrace

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Continuous Waterfront Access 01

Plan

Continuous Waterfront Access 02

Plan

Planting Plan

Plan

Sections

Section

Service Building, Waiting- Warming - Cooling Pod and Ferry Terminal Building

Section

Swimming Pool and Elevated Walkway

Section

A East West Looking North

Section

B North-South Looking West

Section

C Through the Dunes

Elevation

North Terminal

Elevation

Waterside

Elevation

South Terminal

Elevation

South Service Building

Axonometric Drawing

A Day in the Life of Island Visitors

Axonometric Drawing

A Day in the Life Island Residents

Axonometric Drawing

A Day in the Life Island School Students

Axonometric Drawing

A Day in the Life Ferry Terminal Workforce

Axonometric Drawing

A Day in the Life Condo Residents

Axonometric Drawing

Existing Pedestrian Flow

Axonometric Drawing

Proposed Pedestrian Flow

Axonometric Drawing

Vehicular Flow

Axonometric Drawing

Bicycle Flow

Axonometric Drawing

Emergency Services

Axonometric Drawing

Ferry Loading and Unloading

Construction detail

Elevated Boardwalk 01

Construction detail

Elevated Boardwalk 02

Construction detail

Elevated Boardwalk 03

Construction detail

Terminal Buildings and Foundation 01

Construction detail

Terminal Buildings and Foundation 02

Schema

Lighting

Schema

Trees

Schema

Built Form

Schema

Water

Schema

Horticulture

Schema

Beach

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Circulation

Schema

Animation

Schema

Views

Sketch

A Day in the Life of Island Visitors 01

Sketch

A Day in the Life of Island Visitors 02

Sketch

A Day in the Life of Island Visitors 03

Sketch

A Day in the Life of Island Residents 01

Sketch

A Day in the Life of Island Residents 02

Sketch

A Day in the Life of Island Residents 03

Sketch

A Day in the Life Island School Students 01

Sketch

A Day in the Life Island School Students 02

Sketch

A Day in the Life Island School Students 03

Sketch

A Day in the Life Terminal Workforce 01

Sketch

A Day in the Life Ferry Terminal Workforce 02

Sketch

A Day in the Life Ferry Terminal Workforce 03

Sketch

A Day in the Life of Condo Residents 01

Sketch

A Day in the Life Condo Residents 02

Sketch

A Day in the Life Condo Residents 03

Conceptual Collage

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Photograph of Model

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PDF presentation

GENERAL INFORMATION ON THE COMPETITOR

Competitor	Janet Rosenberg & Studio
	www.jrala.ca

	Quadrangle Architects Limited
	www.quadrangle.ca

	aLLDesign
	all.design/


Distinction	Finalist
Doc. level	75%

Description

The imperative supporting this competition of ideas seeks to promote outstanding park design and architecture and reflect the needs and aspirations of the park and ferry users, while also building upon the larger revitalization effort of the Central Waterfront and Queens Quay Boulevard towards the greater good of the public. Christopher Hume quotes Janet Rosenberg saying "You want to make the city look as though it's loved . . . If we want a beautiful city, we have to stop thinking of things in isolation". The competitor's stated objectives challenge the abilities of a diverse and complementary team of designers to avoid preconceptions in the process of shaping the energies - connections between movement and material, history and emotion - that are defined by the ferry terminal in its physical relationship with the city and the Toronto Islands at large as well as to modulate and connect with those defined by the waterfront in particular. Waves of transition in our society reflect on the waves of immigration and the transitions experienced for New Canadians in staking out new futures in this country. The combination of the ecology and the cultural significance of the Toronto Islands on life in Canada make for a strong contemporary statement for landscape architecture to be expressive not only of a biological ecology but what we may refer to as a "cultural ecology". The metaphor of the beacon and light beam as key image for the ferry terminal then becomes even stronger. As for early mariners, this guiding light is raised. In our vision, it takes the form of a horizontal datum - a bar building - that liberates the ground to privilege the panoramic view between Bay Street and the ferry ride.

We propose that the anticipation of the ferry begins at Bay Street with movement across a landform of refracting wavefronts, simulating not only the pattern, but the rise and fall experienced in the water at the shoreline. One should imagine the pattern as allowing for a gentle rise and fall in the topography, just as the fog horn of the ferry boat that announces to all travelers the signature pattern of sound waves in the call to board. At the same time, areas of more discrete separation in grade, and in the differentiation of materials, will identify locations of high traffic and those of rest and repose. The materials come to represent a shaping of the energies that define the integration of a ferry terminal and a park: the park as a ferry terminal, the terminal as a park. They combine to become an active park with the singular mission of making the voyage a positive experience. Under a tall canopy that makes a forest out of the Queens Quay streetscape, the view to the Islands is now at hand with the removal of the tunnel road and bulkhead. From here, a gradient in the placement of the trees transitions to coastal species as one approaches the "ecological" zone that mimics the coastal dune conditions of the Toronto Island beach. Intrinsic to the terminal, an elevated walkway takes one out across this shoreline buffer and above the water, enabling the waves from family members on the departure or arrival.

We have taken one step back to go many forward by re-introducing (from the era of the second terminal, 1918-1972, located at Bay and Queens Quay) the concept of a waiting room, conceived now as innovative and varied "street creatures" with heated areas for the winter months and conditioned in the summer, along with the bar (real and juice) in the elevated bar building, thereby making the waiting comfortable. A new more inconspicuous surface road, will benefit Island students with a drop-off area, while continuing to provide the condominium owners with the necessary means of egress beyond York Slip. Above all, the details in our proposal are for a ferry terminal and park that are united in meeting the imperative to make this design for the twenty-first century one that works! One will sense a vibe that reflects the idealism Jack Layton saw in our society for democracy, education and intelligence, and fun.

We propose that the anticipation of the ferry begins at Bay Street with movement across a landform of refracting wavefronts, simulating not only the pattern, but the rise and fall experienced in the water at the shoreline. One should imagine the pattern as allowing for a gentle rise and fall in the topography, just as the fog horn of the ferry boat that announces to all travelers the signature pattern of sound waves in the call to board. At the same time, areas of more discrete separation in grade, and in the differentiation of materials, will identify locations of high traffic and those of rest and repose. The materials come to represent a shaping of the energies that define the integration of a ferry terminal and a park: the park as a ferry terminal, the terminal as a park. They combine to become an active park with the singular mission of making the voyage a positive experience. Under a tall canopy that makes a forest out of the Queens Quay streetscape, the view to the Islands is now at hand with the removal of the tunnel road and bulkhead. From here, a gradient in the placement of the trees transitions to coastal species as one approaches the "ecological" zone that mimics the coastal dune conditions of the Toronto Island beach. Intrinsic to the terminal, an elevated walkway takes one out across this shoreline buffer and above the water, enabling the waves from family members on the departure or arrival.

We have taken one step back to go many forward by re-introducing (from the era of the second terminal, 1918-1972, located at Bay and Queens Quay) the concept of a waiting room, conceived now as innovative and varied "street creatures" with heated areas for the winter months and conditioned in the summer, along with the bar (real and juice) in the elevated bar building, thereby making the waiting comfortable. A new more inconspicuous surface road, will benefit Island students with a drop-off area, while continuing to provide the condominium owners with the necessary means of egress beyond York Slip. Above all, the details in our proposal are for a ferry terminal and park that are united in meeting the imperative to make this design for the twenty-first century one that works! One will sense a vibe that reflects the idealism Jack Layton saw in our society for democracy, education and intelligence, and fun.

(From competition documentation)

Jury Report

This submission was seen by the Jury to be full of colour with a playfulness that was admired. The design relies on many objects to make the Harbour Ferry Square precinct. The design is not about forming space either in the park landscape or in the Terminal and, as a consequence, was felt to be cluttered with objects lacking a landscape coherence commensurate with the 7-acre scale of the precinct cohesion. The elevated walkway was admired as a viewing platform. However, the limitation of only two or three points of access down to ground along its considerable length was seen as a bit of a trap.
The enormous scale of the geese [L'umbrellas] was noticed and appreciated.

(From jury report)

List of accessible documents

82 scanned / 82 viewable

IMPORTANT NOTICE : Unless otherwise indicated, photographs of buildings and projects are from professional or institutional archives. All reproduction is prohibited unless authorized by the architects, designers, office managers, consortiums or archives centers concerned. The researchers of the Canada Research Chair in Architecture, Competitions and Mediations of Excellence are not held responsible for any omissions or inaccuracies, but appreciate all comments and pertinent information that will permit necessary modifications during future updates.
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