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230 competitions documented	469 competitions listed
6 049 projects	61 864 documents

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MODELS + VIDEOS

PUBLICATIONS + OPEN ACCESS

Competitor

Annie Lebel, Geneviève L'Heureux et Stéphane Pratte / Yves Sheriff, artiste vidéaste (sélectionné)

Concours pour la représentation Canadienne à la Biennale de Venise - 1995 / Canadian participation to the Venise Biennale Competition

Presentation Panel

Presentation board 01; collage; color

Presentation Panel

Presentation board 02; collage; color

Photograph of Model

Model picture; frontal elevation without skin; color

Photograph of Model

Model picture; frontal elevation with skinl; color

Photograph of Model

Model picture; entrance ramp; color

Photograph of Model

Model picture; emtrance ramp; color

Photograph of Model

Model picture; frontal elevation with skin and exterior structure; color

Photograph of Model

Model picture; façade with white pannel; color

Photograph of Model

Photograph of Model

Photograph of Model

Photograph of Model

Photograph of Model

Photograph of Model

Photograph

Video excerpt; le territoire, color

Photograph

Video excerpt; l'aire; color

Photograph

Video excerpt; l'atre; color

Photograph

Video excerpt; le feu; color

Photograph

Video excerpt; le feu et le territoire; color

Photograph

Photograph

Photograph

Video excerpt; la structure des cases; color

Photograph

Video excerpt; les cases; color

Photograph

Video excerpt; l'enveloppe; color

Photograph

Photograph

Video excerpt; l'abri; color

Photograph

Video excerpt; l'abri détail; color

Photograph

Video excerpt; le départ; color

Photograph

Photograph

Video excerpt; les traces; color

Photograph

Photograph

GENERAL INFORMATION ON THE COMPETITOR

Competitor	in situ atelier d'architecture
	www.insitu.qc.ca

	Cirque du Soleil
	http://www.cirquedusoleil.com

Team	Geneviève L'Heureux
	Stéphane Pratte
	Annie Lebel
	Yves Sheriff
Doc. level	50%

Description

The vastness of our country and the extremes of our climate have contributed to the nomadic nature of Canadians. The migration of animal populations, the way of life of our Native peoples, and the frequent moves of city dwellers are all reflections of a nomadic culture. This culture involves cyclic displacements, re-enactments of territorial appropriation, the construction of temporary dwellings. Nomadism creates a ritual in which architecture acquires a temporal dimension.

Video reaffirms the temporal nature of the nomadic ritual and records in language-time. It witnesses our actions and our ideas, providing a context for, preserving, and altering our environments. An inevitable step in the temporal appropriation of a new space is the appropriation of its virtual landscape. In Nomad's Land the video camera takes possession of the physical and temporal space of the site by means of its own archetypes (or video types): the lens of the camera, the images on the screen, and the memory of the video tape. Acting as a marker or reference point, the camera-witness initiates the project. The camera planted in the ground marks the territory, the framing of the lens demarcates the site, and what the camera sees becomes the pavilion's visual landscape. As a witness to the present moment, the camera becomes the eye scanning the horizon. The screen captures this moment, giving a live presentation of the images seen by the camera-witness. The pavilion comes into view and presents itself. But each new image supersedes the previous image: the screen becomes an eternal forgetting of previous moments. The shelter, like the video tape, protects and secretively reveals memory. It displays physical representations in the boxes of a three-dimensional structure. Then, on a floor of video monitors, it unveils re-presentations of the ritual of construction that was captured by the camera-witness. The screen presents and the shelter protects. The virtual memory of the monitors, the physical memory of the boxes, and the eternal forgetting of the screen exist simultaneously.

(From competitor's text)

Jury Report

List of accessible documents

32 scanned / 32 viewable

IMPORTANT NOTICE : Unless otherwise indicated, photographs of buildings and projects are from professional or institutional archives. All reproduction is prohibited unless authorized by the architects, designers, office managers, consortiums or archives centers concerned. The researchers of the Canada Research Chair in Architecture, Competitions and Mediations of Excellence are not held responsible for any omissions or inaccuracies, but appreciate all comments and pertinent information that will permit necessary modifications during future updates.
info@ccc.umontreal.ca

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