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230 competitions documented	469 competitions listed
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Competitor

François Gagné/ Marie-Michèle Cron, critique d'arts visuels (sélectionné)

Concours pour la représentation Canadienne à la Biennale de Venise - 1995 / Canadian participation to the Venise Biennale Competition

Presentation Panel

Presentation board 01; collage; color

Presentation Booklet

Presentation board 02; collage; color

Presentation Panel Excerpt

Sides elevations; color

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Longitudinal elevation; concept; color

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Longitudinal elevation with foundations; collage; color

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Side perspective; collage; color

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Situation plan; black and white

Presentation Panel Excerpt

Pavillion perspective section; collage; color

Presentation Panel Excerpt

Pavillion perspective section; color

Presentation Panel Excerpt

Perspective seen from Saint-Marc's place; collage; color

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Axonometric Drawing

Perspective

Conceptual Collage

Conceptual Sketch

Plan

Plan

Site Plan

Perspective

Axonometric Drawing

Site Plan

Section

Conceptual Sketch

GENERAL INFORMATION ON THE COMPETITOR

Team	François Gagné
	Marie-Michèle Cron
Doc. level	50%

Description

This project takes the observer across the country through text and drawings. Its re-found meaning is made utterly perplexing by a collage of documents: history textbooks, contemporary art reviews, archival photographs, the actual site, and commentaries.

The pavilion lies at anchor in the Grand Canal, opposite Piazza San Marco, as the point of departure for an unfinished journey toward a utilitarian America with origins in the technological innovations of Renaissance Europe.

A footbridge, with abruptly ending tracks that leads to the immobile pavilion, symbolizes the moment of zero growth. The crossing of the screen, stretched tightly like a sail or a veil, directly delivers the official image of Canada to the crowd gathered on the Piazzetta, and reveals its hidden face.

The form of the container/bridge imposes itself on a Canada with virtual borders and an elusive memory. The structure is inspired both by the Victoria bridge, quintessential symbol of Canadian territorial aspirations, and by the container, symbolizing interchangeable contents, exile and uprooting.

This manifestation of the strangeness and brutality of daily life builds on the experiments of the Dadaists, Duchamp, the Situationists, and contemporary Canadian artists like Melvin Charney, Robin Collyer, and Jeff Wall.

(From competitor's text)

Jury Report

List of accessible documents

57 scanned / 57 viewable

IMPORTANT NOTICE : Unless otherwise indicated, photographs of buildings and projects are from professional or institutional archives. All reproduction is prohibited unless authorized by the architects, designers, office managers, consortiums or archives centers concerned. The researchers of the Canada Research Chair in Architecture, Competitions and Mediations of Excellence are not held responsible for any omissions or inaccuracies, but appreciate all comments and pertinent information that will permit necessary modifications during future updates.
info@ccc.umontreal.ca

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