The concept of the box and the treasure is the guiding force of the project combining (...) opaque, serene and sober surfaces, creating a sense of grandeur, quiet strength and mystery. At the same time, the transparency, plays on the dramatic and somewhat voyeuristic side, exciting the appetite with visual breakthroughs to the inner jewel - the theater, the heart and symbol of the project. The formal geometric form of the theater, with its defined edges and textured surfaces inspired by the local arrow pattern, adds specific character to its symbolic value.
A generous forecourt for gatherings and a multi-purpose portico are inspired by the historical tradition of L'Assomption. These spaces are merged and create a remarkable and meaningful project, respectful of local traditions and responsive to the heritage of theatrical design, a 'talking architecture' for L'Assomption's new performance hall.
(From the project presentation booklet)
(Unofficial automated translation)
The jury considered that the authors of this project had succeeded in transcribing their basic concept of a treasure or jewel enclosed in a case into a pleasant and attractive architecture.
The jury appreciated the quality of the architectural treatment, in particular the treatment of the lateral elevations which reveal, through a transparent envelope, the shape of the room; the masonry wall on the main façade, however, seemed less convincing to them and the extent of the means used to transpose the basic concept into an architectural form seemed excessive; the volume required is considerable and its configuration poses certain maintenance problems which, in the long run, will affect the quality of the building.
However, the jury was sensitive to the overall qualities of the envelope, which demonstrates a modern and controlled approach but retains a great deal of character.
The jury also found the distance maintained between the façade and the street to be excessive, even though its design does convey a certain ceremonial dignity appropriate to the function of the site. The result, however, is a canopy that is excessively deep and will create an unpleasant outdoor space, ill-suited to our climate.
The jury noted a certain confusion in the treatment of the spaces behind the stage. They also appreciated the quality of the treatment of the hall which will give it the desired warm atmosphere.
(From jury report, following the meeting held on November 29, 1996, cf: Beaupré Archives)
(Unofficial automated translation)
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